Color

Primary palette

The primary palette is built on the dark blues, lightening through a range of neutral greys. The dark blues can also run as gradients: a linear blend between two stops. Text is always light on dark or dark on light.

Midnight Abyss RGB 3, 3, 3 PMS
Black 6 C
#030303
Aero Slate RGB 17, 32, 51 PMS
5395 C / 532 C
#112033
Ocean Blue RGB 27, 55, 84 PMS
534 C
#1B3754
Pale Smoke RGB 235, 235, 235 PMS
Cool Gray 1 C / 663 C
#EBEBEB
Light Silver RGB 214, 214, 214 PMS
Cool Gray 2 C
#D6D6D6
Mid Gray RGB 176, 176, 176 PMS
Cool Gray 5 C
#B0B0B0
Charcoal RGB 49, 49, 49 PMS
426 C
#313131

Data colour

The data-colour system runs on two fixed palettes, each with a job: one colours the training stages, the other separates the series in charts and graphs.

Data colour applied to a calendar of swatches

System prompt

The fixed colour for each training stage on the calendar. Use these exact values when colouring stages in calendars, plans or schedules.

Base #B88EE6Build #009E74Taper #95C2F8Race #FF637ERecovery #F7CD71

System prompt

One colour per line or category in charts and graphs. Assign in order.

Coral #FF637EAzure #3D8EF0Teal #00C1A0Gold #F1CC50Orchid #EC9AEC

AI prompt

The highlight blue signals AI — actions, thinking and responses that come from the NoClue Model. It’s the single accent that steps outside the dark blues and greys, used only to signify these actions.

Coach’s Notes

System prompt

The prompt pill carries an AI action. Its stroke runs an animated gradient while the NoClue Model works — a thinking state people already read as processing, so the user knows the request is being actioned while they wait.

Stroke rotation: clockwise. Gradient colours in order, looping back to the first:

#595BD5#7979EB#383CBF#595BD5

Image treatment

The image treatments are for key marketing and high-stakes artwork, not everyday content. They mark a piece as unmistakably NoClue.

Blue image treatment Black and white image treatment Black & white Blue

System prompt

Black and white — a full desaturation to neutral greyscale, with no colour retained. The tone curve is pushed hard: shadows crushed close to pure black, highlights lifted to near-white, and a broad mid-grey range held between. Heavy directional motion blur smears the frame, and a fine film grain sits over the top to keep it cinematic and raw.

#030303#111111#5D5D5C#969696#E3E3E3

Blue — a duotone gradient-map into the brand blues, applied over the same high-contrast, motion-blurred base. Shadows map to a deep navy (#122236, close to Aero Slate), midtones climb through slate blues (#1F324B, #334B69, #4F6D92), and highlights lift into a light sky blue (#ACD2FC) and a pale cool white (#E1E7EF). A digital, glitched edge sits on top — chromatic shift and scan-line displacement across the frame.

#122236#1F324B#334B69#4F6D92#ACD2FC#E1E7EF